what was the fashion in 1946

Fashion in 1946: A Retrospective

By Mark Johnson
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1946, the year following World War II, was a transitional period in fashion, marked by a shift from wartime austerity to a celebration of femininity and opulence. The world was ready for a change, and fashion reflected this sentiment, embracing new silhouettes, vibrant colors, and luxurious fabrics.

This era, often referred to as the "New Look," was characterized by a dramatic contrast to the practical, utilitarian styles of the war years. Designers like Christian Dior and Cristóbal Balenciaga led this revolution, creating styles that emphasized the female form, marking a significant departure from the masculine, uniform-like clothing of the war.

Return to Femininity

The most notable trend of 1946 was the return to femininity, with designers creating styles that accentuated the waist and enhanced the bust and hips. This was a stark contrast to the wartime styles, which were designed to conserve fabric and were often loose-fitting and androgynous.

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1946
1946
Photos: Retro Summer Style
Photos: Retro Summer Style
1940s Fashion - Summer-Frocks - June 1946
1940s Fashion - Summer-Frocks - June 1946

Christian Dior's "New Look" was the epitome of this trend. His designs featured cinched waists, full skirts, and ample bosoms, creating an hourglass figure that came to define the late 1940s and early 1950s.

The Bar Suit

One of Dior's most iconic designs from this period was the "bar suit." This style featured a jacket with a nipped-in waist and a full, knee-length skirt. The jacket often had a wide, horizontal collar that resembled a bar, hence the name. This suit was designed to be worn with gloves, a hat, and high heels, creating a look that was both sophisticated and feminine.

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The bar suit was not only a fashion statement but also a symbol of the post-war desire for luxury and opulence. It represented a return to the glamour of the pre-war years and a rejection of the austerity of the war.

The "Corolle" Skirt

Another iconic design from this period was the "corolle" skirt, created by Dior's rival, Cristóbal Balenciaga. This style featured a full skirt that was gathered at the waist and fell in soft, rounded folds to the floor. The skirt was designed to create the illusion of a bell shape, hence the name "corolle," which is French for "bellflower."

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Balenciaga's designs were known for their innovative construction and use of fabric. The corolle skirt was no exception, often featuring intricate pleating and draping techniques that created a soft, fluid silhouette.

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Color and Fabric

In addition to new silhouettes, 1946 also saw a return to vibrant colors and luxurious fabrics. The austerity of the war years had limited the availability of many fabrics, and the fashion of the time had reflected this with a palette of muted, neutral colors. But with the end of the war, fashion once again embraced color and luxury.

Designers used a wide range of colors in their designs, from bold reds and oranges to soft pastels. Fabrics like silk, satin, and velvet made a comeback, replacing the more practical materials like wool and cotton that had been used during the war.

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Prints and Patterns

In addition to a wider range of colors, 1946 also saw a return to prints and patterns. During the war, prints had been discouraged as they were seen as too frivolous and wasteful of fabric. But in the post-war years, prints and patterns made a comeback, with designers using them to add interest and complexity to their designs.

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French actress Barbara Laage polishing her shoes. Location: France Date taken: May 1946 Photographer: Nina Leen 1946 Aesthetic, 1940s French Aesthetic, 1940s Paris Aesthetic, 1940s Lifestyle, 1940s France Aesthetic, 1940s Tomboy, 1940s Hipster, Barbara Laage, 1940s Paris
French actress Barbara Laage polishing her shoes. Location: France Date taken: May 1946 Photographer: Nina Leen 1946 Aesthetic, 1940s French Aesthetic, 1940s Paris Aesthetic, 1940s Lifestyle, 1940s France Aesthetic, 1940s Tomboy, 1940s Hipster, Barbara Laage, 1940s Paris
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1940s Aesthetic, Aesthetic Fashion, Christian Dior
Ava Gardner
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an old black and white photo of a woman in dress
an old black and white photo of a woman in dress
A French Girl in Post War Paris 1946
A French Girl in Post War Paris 1946

Floral prints were particularly popular, reflecting the post-war desire for beauty and nature. Other popular prints included polka dots, stripes, and geometric patterns.

Accessories

Accessories played a crucial role in completing the 1946 look. Hats were a must, with styles ranging from small, beret-like caps to large, wide-brimmed hats. Gloves were also essential, often worn with long sleeves to cover the arms. Shoes were typically high-heeled, adding to the overall femininity of the look.

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Jewelry was another important accessory, with designers often incorporating it into their designs. Brooches, necklaces, and earrings were all popular, often featuring gemstones and intricate settings.

As the world emerged from the shadows of war, fashion in 1946 reflected a desire for beauty, luxury, and femininity. The styles of this year marked a significant departure from the austerity of the war years and set the stage for the glamorous, opulent fashions of the 1950s. Today, these styles continue to inspire designers, reminding us of a time when fashion was a celebration of peace, prosperity, and the feminine form.

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